Showing posts with label David Simon. Show all posts
Showing posts with label David Simon. Show all posts

Sunday, March 25, 2012

Oh, hi, I'm an American.


Before I left for West Africa, there was a lot of talk about Kony 2012.   A topic that has confused me and challenged me and forced me to think hard about the things I really believe about social justice and the role of social media in social change.  Because I work with young people who are borderline obsessed with “changing the world”, the mission of Kony 2012 immediately resonated with me.  Though I clicked on it with hesitation, and really hemmed and hawed over sharing the link, I ultimately decided to do it.  Kony represented to me a campaign that would encourage young people to educate themselves about international issues they wouldn't necessarily know about, help put a name to a place, and to fight for “justice”, a huge bulbous word with thousands of meanings, in the face of what appeared to be such egregious acts of human injustice happening in Uganda.  

Using tools of social media to connect masses of people behind a specific issue, Kony 2012 would press systems that local people rarely have genuine access to, systems of politics and power that appeared to oppress people, to make changes.  Yes, ignorant.  Yes, oversimplified.  Yes, perhaps motivated through American white privilege and guilt.  And, yes, perhaps not conducted as a local campaign, but rather by an American tourist who found himself overwhelmed by the fear and vulnerability he encountered in his new Ugandan friends, something I can relate to as a traveler and as an "adventure explorer".  Sometimes you encounter things that make you sick and seem to go against everything you know to be just and true.  And you don’t know what to do with yourself but start talking about it, no matter how ignorant you may sound, or how uninformed you may be.  And sometimes that’s how things start.  Sometimes, you have to take a risk.  And put yourself out there for criticism behind something you believe in.  Which is something most of us nurture in our children.  If you believe in something, stop at nothing to achieve it. 

The immediate scrutiny of this campaign as "racist" and “western imperialism” came across to me as just as pompous as the campaign itself.  The criticism went viral almost as quickly as the video.  The snarky leftist commentary and the uppity op-eds from the bookish websites and magazines that I, too, read daily starting pouring in and I was struck with this feeling of defensiveness that I didn’t expect from myself, as I’m usually the one to be critical and snarky.  

But you well-seasoned do-gooders have forgotten something critical:  you too were once stupid and uninformed and blindly passionate about something you knew nothing about.  Time, age, and experience are the only things that help you refine that passion, and tame your actions into responsible, sustainable ones.  These are things that are learned through practice.  Through watching failed reform efforts instituted by people who don't have to live the daily life, who are disconnected from the core of the real work.  We, of all people, should understand the intentions of where Kony 2012 came from.

I was disappointed in my peers who so quickly dismissed this young man’s passion as “racism” and surprised at how few people were cheering how quickly Kony 2012 spread.  How fast it became viral.  How many people shared it.  The real power behind these tools of media and Facebook and Twitter.  Clearly, there was something powerful in his film.  It hit the right notes with people.  And not just young white college students.  More than 800 million people watched this video in less than a week.  That's powerful.  

People are generally pretty shocked to learn about what is happening in places that the Western media doesn’t talk about (unless of course something has happened to an American there).  Not everyone reads Al Jeezera and the BBC Africa everyday.   Not everyone knows Africa isn’t a country.  Fact:  most people are blindly ignorant about most of the world, not because they choose to be, but because there is limited access to real information.  Because it takes digging to find the real news underneath America’s obsession with all things celebrity.

And now, having had a few weeks to really think about it, I understand more why Kony 2012 was a misguided mission.  How damaging it probably has been for local Ugandans.  And really for many Africans who got lumped together in the video’s oversimplification of “Africa”.  I understand the snarky skepticism.  But I still hold onto this notion that we have to begin somewhere.  And that there is work to be done that most people don't know about.  And is it really such a crime to inform people about these things?

Right after I arrived in Ghana, with a bitter taste in my mouth about Kony, the news about Trayvon Martin was beginning to go viral, and I watched from half-way around the world as my friends and family posted articles and pictures rallying against the racial injustice of this young man’s murder.  I read as much as I could download on the slow internet connection and was fed information mostly through social media, again, impressed with the power of this tool to spread information across the world with such immediacy.  As the Facebook posts and bloggers began to dig deeper, I watched as people began to make connections between Kony and Trayvon.  Between racial injustice and systemic and structural racism.  Between US immigration law and Trayvon.  Between white guilt, a hunger to “fix things” perhaps not really broken in the first place and a color-blindness, a product of privilege, that sometimes hurts people more than it helps. 

And it seems Trayvon Martin has become something even bigger in the last few days.  Maybe because the case is as blatant and obvious as can be to anyone with eyes and ears, and this has become a vehicle for exposing thousands of narratives about people’s real racial fears.  Or maybe because this was just the straw that broke the camel's back.  

To call Trayvon Martin a symbol of racial injustice would be a gross underestimation of how common Martin’s story has become.  And not just because of this one case, but because Martin seems to have broken the chain of silence about the hundreds of thousands of others that happen everyday to Americans who aren’t white.  Trayvon has triggered honest dialogue about what's really happening in 2012.  About what our supposedly “post-racial Obama” age is all about.  And here's a hint: it’s far from post-racial.  And we’re far from an age of racial justice.

Traveling through West Africa as a young white woman seems to be an almost perfect setting for thinking about racial injustice.  Just that sentence made me want to gag a little.  Spending my afternoon in a castle built by the Portuguese in the 1400s, with slave dungeons that shackled thousands of human beings to each other at a time for hundreds of years, couldn’t be a more fitting setting to think about institutional racism.  To think about the power of colonialism and western imperialism.  To think about fear and vulnerability and what can go wrong when masses of people pursue actions they don’t fully understand.  To try and put Kony and Martin in context.  

To think about how power can water down reason and judgment.  How someone can blindly support things that are at their roots evil and wrong without even knowing it.  How you could be a business man in New York City in the late 1700s, unknowingly supporting the capturing of thousands of Africans to be enslaved, by buying and importing his cane sugar from Cuba, and investing his money in a ship he was most likely unaware would be filled to the boughs with human bodies along the slave trade triangle.  Or perhaps we’ve given him too much credit, and he did know.  How you could be an American housewife who employs a young black woman to help you raise your children, not because you think you can’t do it alone, or because you’re participating in slavery, but because the culture of your time says you have to do this.  You have to hire this woman.  And that she isn’t your peer.  And that she doesn’t deserve to be paid well or have access to the same systems you do.  Or perhaps we’ve given her too much credit.  And she did know. 

These are the systems that were built by our country.  These systems that so many of us have fought against for more than a century, and probably will continue to fight against for many more.  And to not acknowledge that the foundational backbone of modern America has been built on the economics and structural deficiencies of slavery, is a painful form of ignorance and bigotry, perhaps more deadly than a young black man being murdered because he’s young and black and a potential threat.  

I think about racism a lot.  Perhaps its because I encounter it so frequently in my work and in my travels.  Or because I work at a private liberal arts college where topics about racism and social injustice are daily conversations I have with my students.   Maybe its because of the way I was raised and the community I grew up in, and thankfully, the open-mindedness of my family.  Or its because of the many interracial relationships I’ve been in over the years, and the way I’ve felt when we hold hands in certain places or kiss in public (or the way my partners have been treated for dating a white woman).  Or the way I watch my loved ones grapple with racism in daily actions—going to the grocery store, going to the mall, eating in restaurants, going on vacation—and I can’t ignore it. 

Being in Ghana, and Togo, and Benin, places a realness for me to what it feels like to be a racial minority.  I feel the heat here of being white.  I carry the weight of my ancestors actions, something every white person should experience at some point in their life.  I feel the insecurity of being one of few with my skin color, a skin color that has literally raped the continent of it's dignity and grace.  For being put on spot to represent my race—and my country—that everything I do is distinctly “Caucasian” and “American”.  I'm Obroni.  Yevu.  White person.  Foreigner.  Outsider.  "Other".  And I see the damage we've done to these communities.  The beauty and strength of the African people and their traditions and the ways the "white man" overrode it, made it shameful, and built new structures and rules that made African people subordinate to white people.  Made the religions and practices of the white people superior to the religions and practices of the African people.  Not just physical slavery, but mental slavery.  We colonized people's minds, not just their communities. 

Which is hard to stomach upon re-entry into America.  Watching the little video in customs welcoming people to the land of opportunity, knowing full and well most of the poor immigrant families I know struggle for respect.  Struggle for legitimate work.  Struggle to be seen as peers.  As equals.  

And knowing just how exhausting it is, for two or three weeks at a time, to feel as though I've been held accountable for everything the "white man" did to Africa (which is perhaps more my own mental infliction than what is really happening), I can't help but translate my experience as the norm.  Which is something I hear a lot from my students of color back in the States.  That they’re such a minority on campus or in their workplace or in their faith community, that they are asked, everyday, to represent their entire race.  That they’re put on spot to be the voice of "Black" or "Latino" everyday, and in every class, and how its utterly exhausting to feel so alone.  And so misunderstood.  And so representative of “other”.  

To say I understand that feeling because of my collective eight or nine months worth of time spent in West Africa would be grievously ignorant and would be dismissive to the experiences of Black Americans who fight this fight every single day of their life.  But to say I’ve become more empathetic to the exhaustion and to the overwhelming emotional toll it takes to be representative of a group of people would be true.  And to say I think white people have really fucked over a lot of people of color would also be true.  And it's like a reflex for so many people.  Racism is something they can't even hear in their voice, or in their hushed tones.  In their reflections on what happened today on the city bus.  In their accounting of what made them fearful.    

My work and my travels have opened my eyes to the subtle (and sometimes not so subtle) racism that exists in everyday life.  And I guess I can’t ignore it anymore.  I can’t pretend it doesn’t exist.  Because that’s part of the crime of Trayvon Martin.  So many of us see it, everyday, and we never stop to challenge it.  We never stop to question the police.  Or the store manager that follows the only black man in the store.  Or the group of black women who get chastised as being too loud when they’re just eating lunch together and having a good time.   We walk away, shaking our head, but remaining silent.  Partially because we know we'd be dismissed as the liberal white girl who dates a black man and thus thinks she "gets it".  But partially because we're afraid, too.  Afraid of what will happen next.

There are days when I feel as though I’ve come full circle with my own racial identity and awareness over the last ten years (and days where I feel like I'm just starting to "get it"). Which is not to say that I don’t still have my moments of ignorance.  That I don’t still say dumb things sometimes or find myself in places where my privilege and my race aren’t painfully obvious as tools for my success.  But I feel like I’ve made a lot of growth over the years, despite where I started on this journey in rural Western North Carolina.  I can’t even count anymore the number of times I’ve found myself a minority, or I’ve found myself in uncomfortable conversations about race and class, conversations that don’t always end well or leave me feeling good about myself.  Situations where I’ve had to challenge myself to see beyond the surface, and to question the beliefs and value systems that have been handed to me as truth as a member of the white middle class.  Times when I’ve had to risk the acceptance and understanding of my peers because of something I believe is truly wrong and unjust, or because I’ve been given a rare internal access point to what life in the other shoes feels like (something I don’t take for granted, nor assume is comparable to actually being in those shoes on a daily basis).  And then there’s the frequency with which I see racial injustice.  Which is daily, if I’m being honest with myself.   

In the States, I consider myself an ally for my students, colleagues, and friends who struggle with having their voices heard.  Which has been a spot I've earned through years of relationship building and trust-making, not a spot immediately granted.  I’ve found myself in a career that indirectly supports a lot of people who are victims of institutional racism.  Who are products of a system that could be challenged as having done more harm than good, now multiple generations deep in Welfare-supported families and school systems that have never truly educated their children because of the color of their skin, and the lack of money in their pockets.  And I’ve been blessed to be let in to some intimate circles in these communities.  A place not all white folk can find themselves.  I’ve been accepted as honest enough to trust and privy to conversations that not all white people get to hear (and not all white people could stomach to hear).  And smart enough to keep quiet when I need to keep quiet, because that's part of the trust-building and the relationship making.  And yes, these communities have transformed into complex, deeply misunderstood places.  The “inner-city”.  The “ghetto”.  A  place many people talk about but few have truly stepped foot inside to see what’s really happening there. 

Movies and the David Simon’s of the world have taken great pains to accurately paint the picture:  broken-down systems that tangle incestuously underground and become hopelessly broken, and no one seems to care except the little kid waiting to be fed a government-subsidized lunch in a cafeteria infested with rats and cockroaches.   And people have mostly stopped there.  They’ve seen the movie.  Or the television series.  They don’t need to know more.  They don’t care about the corner store that has stopped selling breakfast to kids so that they can perhaps attempt to make it to school on time.  Or the group of retired neighborhood leaders who have decided to sit on their front porches every day from 2:00 to 4:00 pm to ensure the “school bus”, the multi-block walk most kids take from school to home, is a safe walk.  Or the group of religious leaders who raise money to send groups of kids on trips around the world so that they can attempt to be competitive with their suburban and private-school educated peers when they begin to apply to college.  These stories don’t generally make the front page of the Baltimore Sun.  But when a group of  black boys beat someone up on the public bus, it’s in every media outlet.  When a young black man kills someone in front of the Nordstrom in the County, everyone begins to cluck and shake their heads in unison about how there is nothing sacred anymore.  When a young black woman beats up a transgendered woman in a McDonalds, it makes national news.

Which is where things get ugly.  Where Kony 2012 becomes western imperialism, and not a plea for social justice.  Where Trayvon Martin becomes representative of all the racism that happens in everyday life because Americans genuinely don’t acknowledge black suffering as a part of the human experience.  Which is woefully ignorant.  The same kind of ignorance that says because we have a Black president, that we no longer have race issues.  Because we don’t acknowledge that these things happen every day, in every community.  We treat this as an exception.  And we fail to ask the most critical question:  how do the people who live there really feel?  What do the people want?  How do the people want to move forward? 

Our most painful racism is our lack of desire to know more about each other.  To dig deeper.  To really understand the people and the places that suffer the most.  Our willingness to swallow stereotypes and to perpetuate myths without ever stepping foot in a place we’ve dismissed as broken.  To label all Africans as suffering, or hungry.  To label all inner-city black teenagers as thugs or criminals.   All Muslims as terrorists.  All Latinos as lazy and stupid.

And then we have our struggles with organized social justice.  In an age of social media and technology, we are perhaps most ignorant about how to effectively enact social change without behaving like colonizers.  Or imperialists.  We’ve forgotten that at the root of injustice, is a person or a group of people who are victims.  People who are being oppressed.  And that oppression is never simple.  Or easily stopped.  And that, internally, personal agency must be employed in these communities to really begin change.  Change can’t be applied from the outside.  It must be nurtured from the inside.  Layers upon layers of heavy corruption tangle the mess and it’s damn near impossible to find the real cause of a problem, or to identify one person as the perpetuator and one person as the solution.  

Which is where I struggle the most, professionally, to understand how to best help my students who are so passionate about helping others.  Who are so out-spoken about social change.  Who are so ignorant about what’s really happening in the world, but so blissfully charged to do something anyway that it’s hard to stop them.  How to teach them to work from the inside.  To understand a community inside and out before suggesting solutions to problems they’ve interpreted through the lens of “outsider”.  To burst their bubble.  To ruin their dreams of being a solution-maker.  A peace worker.  A white savior.

Like many of my Facebook friends over the last few days, a dear friend of mine posted a picture of himself in a hoodie in solidarity with Trayvon Martin.  This friend is a loyal leader in his community, and someone who supports the young men in his neighborhood with a passion that can’t be tempered.  He is steadfast and loyal to these young men, no matter what happens to them.  Even when they fall victim to the system and become a statistic.  And he’s an internal as you can get.  He’s lived in the neighborhood his whole life, and understands what these boys are up against.  He understands the power of stereotypes.  The power of these stereotypes to lead these young men directly to the alley to buy a handgun from someone.  The power of these stereotypes to sling on the corner.  The power of these stereotypes to build a pipeline from a middle school directly to a juvenile detention center.

Next to his picture he wrote, “Prepare for War.  Pray for Peace”.  I was struck by his comment.  Simple words with a lot of meaning.  We are preparing for war.  A war that actually has already begun.  And has been raging for years quite silently.  A post-racial Obama age war.  A war on assumptions.  A war on ignorance.  And yet we are praying for peace simultaneously.  Wishing we could close our eyes and tap our heels and find ourselves somewhere else, where we don’t have to worry about our young black men being shot for being young.  And black.  And male.

We are in a unique time in history.  Just this morning I woke up to this article and this piece and this one I’m finding myself overwhelmed and nauseated.  I don’t quite know what to do with myself.  How to make sense of it all.  How to take my next step.  Short of turning off the computer and going deep in to the woods, bathing in patchouli, raising goats and becoming a potter, to hide like some crazy person.  Which is not really the solution, I don’t think.

And as I sit here and process where I’ve just been for the last few weeks, in places where the colonial structures are literally still such a part of the fabric of everyday life, I feel particularly lost.  And afraid.  Afraid that I live in a country that so narcissistically places itself superior to these places—the civil unrest in Nigeria and Senegal and Uganda, the fighting in Israel and Palestine, the ethnic wars between Middle Eastern countries—and yet here we are, fighting our own silent wars against our very own citizens.  And patting ourselves on the back for our great leadership in the world.  For our citizenry.  For our community service. 

And I’m not sure what else to do.  But prepare for war.  And pray for peace.  

Sunday, July 10, 2011

Change Gonna Come


It would be a lie to say that these last two weeks have not been a complete and total mindfuck.  And though each day my heart gets less achy, and I have stopped irrationally bursting into tears over mundane activities, what’s left is a lot of questions, and a busy brain, and a lot of picking things up and putting them back down again and not knowing what to do next.  And an abnormal amount of anxiety.  Which I guess is normal. 

The hardest part has been the adjustments to my routine.  The not looking at my phone a thousand times a day in anticipation for his calls or his texts, and the adjustment of my disappointment when indeed there is no message waiting for me.  The going to bed and waking up alone part, and knowing its not just a week apart or a business trip.  The eating meals solo part.  The not sharing of all the funny and weird things that happen in a day with someone part.  All parts that suck.  All parts that are messing with my head right now.  Which is just something I’ve got to get used to again.

And to complicate matters, in the midst of all of this, I’ve changed jobs.  Same location but with a new title, a new supervisor, and a new office.  And lots more responsibility.  Over the week, I’ve kept myself distracted by packing up my books and files and trucking across campus to settle in somewhere new, to learn new routines with new office-mates, new procedures and protocols.  Try and pick up where someone else has left off and wondering all the things you worry about in a new job—Will I like this?  Will I be good at it?  Can I do it?

And to even further the disruption, I’m moving to a new apartment to be closer to work in a little under a week, to give the dog a fair chance at being able to pee at least every 8-10 hours with my new schedule.  So my house is a disaster zone of cardboard boxes, newspapers, and cleaning supplies.  And I’ve unearthed things I had forgotten I owned.  And have found dust bunnies the size of full-grown antelope hiding under bookcases I haven’t moved in two years.  And little corners of “gems” covered in dirt and dog hair, nestled in with 45 million pairs of shoes, some random dried-out art supplies, and a magazine (or nine) about food or cottage-style decorating.  I’m all of the sudden feeling like an episode of Hoarders.

Sidenote: I also have three papers left to write for a class that ends on the 22nd of the month and I just made the choice to scrub the top of the refrigerator with bleach over writing a paper due on Tuesday.  Can we say, avoidance tactics?

I’m 100% overwhelmed.  All the routine changes.  All the stress.  All the must-dos but have-no-energy-or-time-to-dos.  Oh and the just-don’t-wanna-dos.  Like at all.  All the gross piles of dirt and dust and dog hair.  Blech.

And thus my second avoidance tactic (besides the compulsive cleaning and the previously unmentioned, but not to be forgotten friend, vodka) to all of this change has been to put on my softest, oldest, cut-up t-shirt, remove any clothing articles that are binding and/or restrictive to my fat rolls and/or lady parts, and to get under the covers and hide.  And to watch depressing television.

Which, for the record, hasn’t helped much either.  Because I choose shows like Treme and Intervention, which provide temporary relief, as I always think, “well at least I’m not addicted to heroin, have three crack-addicted babies, and/or am recovering from a natural disaster.  And furthermore,” I think, “at least the police aren’t corrupt and there aren’t entire groups of people in Baltimore being ignored because of their race and class”…oh wait.  Nevermind on that one (and damn you, David Simon, for thinking of all the things that make me angry, anxious, and disgusted and making it into yet again another highly-addictive HBO series). 

I’ve blogged about this show before.  And I can’t say it’s the best show on television, but the scenes of jazz fest make me smile and the music makes my heart swell.  Despite the often cheesy storyline, it didn't stop me from watching 11 episodes over the last 4 days.  There are these great scenes with New Orleans legends and they all make me pine for home and for the South.  The Mardi Gras Indians give me goosebumps and I get so goddamned hungry watching the food.  So it’s been a good distraction, albeit a depressing one.

And the whole lying under the covers hiding from the world gig makes me want to go home.  To my mountains.  I lie in bed and wish for the ability to take off on a whim and just escape it all, and to not risk failing a class or losing my job in the process.  To roll the windows down, take the long, windy road home, and sing Gillian Welch until my voice cracks and the sound of cicadas and the river wash me out.  To yell all of my anxieties and worries into the thickets of honeysuckle and wild blackberries, knowing nobody is gonna yell back.  Or judge me.  Unless it’s a black bear.  Or a wild turkey.  And they’re not judging.  They’re just hoping I don’t have a gun.  I crave home and the comfort of the mountains.  The smell of my childhood.  And though I’ve worked hard to surround myself with artwork and pictures that substitute home, it’s just not the same. 

One of the perks of packing up everything I own over the last few days has been that I’ve found pictures and objects that comfort me, things I haven’t looked at in years.  I’ve found sweet cards written to me from my nephews and pictures from high school.  I’ve read ridiculous comments in my yearbooks and remembered all the good, and sometimes sad & hard times I’ve already been through in this little life of mine.  I’ve also managed to squeak a few more days of life out of my previously dead and ancient laptop and dig through the thousands of songs I’ve uploaded over the years.  What a joyful surprise it was to try one last time to plug this sucker in and for it to actually work.  To find the playlists I made for my last breakup and the ones from college that I made for falling in love (and for getting drunk).  The ones I made for when I needed to feel like a real liberal-arts college feminist (oh, Ani).  The ones I made to gain street cred from my students at my first Baltimore City middle school.  The country songs, the bluegrass songs, all of it.  It’s been over a year since I’ve been able to turn on this computer, let alone listen to any of my music.  And I’ve found good company with these old friends. 

I’ve always identified myself as part artist.  But when asked about my medium, I never know what to say.  I’ve played music over the years—a couple years on a piano, a few more on the saxophone.  I sang in a few choirs.  Did musical theatre in high school.  I’ve painted.  I write this blog and some bad poetry, too.  I’ve woven a basket or three.  I’ve thrown pots.  I can knit.  If there were an arts & crafts showdown, I’d take home a prize.  I’m all over shrinky-dinks.  And collages.  But an artist artist I am not. 

I do, however, have a special love affair with music.  Music has magic in it.  And healing power.  And I’m lucky to come from a family of musicians and to have had real music in my life since the day I was born.  It’s been a constant source of energy in my life and the first place I turn to when I can’t figure something out.  Most of my best childhood memories involve live music—or food—or both.   Which is why good live jazz can give me goosebumps and bring tears to my eyes.  And classic rock and roll puts me in a quiet, peaceful state of mind.  And zydeco and bluegrass wakes up that little rhythm monster inside of me and I can’t sit still.  I have to dance.  Or I hear the sound of African drums and I immediately sink low into my hips and begin to rock.  It’s a reflex.  Like blinking.  Or breathing.

So it makes sense that through this grieving process I’ve hardly had a quiet moment. Today’s playlist has included a lot of Allison Krauss, Emmylou Harris, Lucinda Williams, Nancy Griffith, Patty Griffin, and Gillian Welch.  Music that allows me to close my eyes and transport myself to Western North Carolina.  To a living room with my sisters and their babies.  To a kitchen with my mama.  Music that returns me to my roots.  To my foundation.  The same voices that coached me through my hardest teenage years, nestled in with those who kept me awake for those all-nighters in college, are right here.  Sharing their secrets and revealing their souls.  They’ve been right by my side encouraging me, strengthening me, and keeping me in check that there’s always somebody else worse off (thank you, country music) and that I should probably stop whining. 

Reminding me that there are things that are unshakable in my soul.  Parts of me that will never budge.  No matter how much the world changes around me.  No matter how much life hurts.  That home is inside me, no matter what.

Tuesday, May 4, 2010

Me Big Chief

On Saturday night I took the opportunity to use my sunburn as an excuse to stay home on a Saturday night and do homework.   (You know, the sunburn I got while I was making myself walk the dog, which turned into running into college buddies, which turned into watching ultimate frisbee for a few hours without sunscreen, which turned into drinking a couple beers in the middle of the day, which turned into an exhausted sun-burnt nap, which made me wake up cranky and incapable of social activities, which made me ignore any and all of my said social engagements in exchange for a quiet night at home).

And because I don’t nap (I’m like a freak of nature with the sleeping), this 45 minute slip into a REM cycle apparently made me incapable of rational, intellectual thought.   Realizing my research paper on Erich Fromm, the tantalizing German Jew psychoanalyst who I’m sure has amazing things to say, was NOT going to happen, I caved and did what all grown folks who work full-time while in graduate school do: REPRESS FEELINGS OF GUILT ABOUT NOT DOING HOMEWORK ON THE ONE NIGHT YOU HAVE FREE AND PROCRASTINATE.

Instead, I ordered a pizza and decided to park my happy ass on the couch with the dog and catch up on the new HBO show Treme.

I’m an admitted David Simon stalker admirer.  I pretty much watched the entire series of The Wire over a series of a few weeks and found myself so involved with the characters that I still refer to them on a first-name basis as if they’re real people in my life.  You know, Stringer Bell? Lives down the block?

The invention of the television show on DVD really did wonders for my social life.  At one point, I was so involved in watching the entire series of Six Feet Under that I began thinking I might actually be in an episode.  Every episode of this show starts with someone dying in some kind of freak accident.  I’d be walking down the block and envision a hammer being accidentally dropped from the top floor of the building and then in my head I’d cue the opening music and flash forward to a view of my own tombstone.  Thank God I finished that series before I developed schizophrenia.

And don’t get me started on the L-Word.  I think I actually craved lesbian drama in my life just because I felt so entitled to it after watching all that melodrama betwixt the ladies.  Which, for the record, is never drama ANYONE should crave.

Okay, back to Treme.  (Sorry, I’m over-caffeinated).

I had the chance to meet David Simon through my job last year and almost urinated down my pretty little dress with excitement.  And he, in person, is just exactly what I suspected him to be: slightly neurotic, totally depressing, and simultaneously one of the most intelligent people I’ve ever met.  You know how you meet people and you just know they’re smart?  They got that pretty talk and yuns know they can ‘cipher good? Yeah, well.  He did.

So when I heard David Simon would begin working on a show about post-Katrina New Orleans I started emotionally cumming all over myself.  Because, you know, us geeky liberal arts college graduates LOVE television shows that blur the line between fiction and fact—especially when it involves things like sexuality, racism, and poverty.  I’m getting chills just thinking about all the cultural and sociological implications I’ll inevitably try to sneak into a classroom discussion someday.  Sidenote: We also love reading the Atlantic Monthly and pretending to be smarter than everyone else.  And posting clever, biting, intellectually snarky comments on each other’s Facebook pages, ESPECIALLY when we get to reference our favorite NY Times op-ed columnist as if we know them personally (umm, duh, Gail).  And of course wrapping it all up by finding a way to connect it all to some obscure Always Sunny in Philadelphia scene.

So here I am on a Saturday night watching this new show on HBO about New Orleans.  And the storyline isn’t great—it’s fairly predictable.  I see all the usual suspects—about half of the cast from The Wire (which is like running into old friends with guns) and I’m trying to get used to their new character names and disconnecting them from their darker, more addicted (and definitely better armed) Baltimore alter-egos.

But there is this music.  And the second line gets warmed up on the screen.  Without warrant, my feet start tapping.  And I notice I can’t help but rock my hips.  And my head starts moving.  And I’m not even thinking about it but I’m shifting around to wiggle my little (okay big) white girl ass around like I got some rhythm.  And before I know it my head is in a million places at once and I’m flashing through all these moments.

Then the character puts on his Mardi Gras Indian costume.

And I'm thinking about the first time I saw a real-live Mardi Gras Indian.  And how hot it was.  And the smell of those feathers.  And the sounds that came from his mouth.  Raw, guttural noises that were something in between song and prayer.  And how it almost scared me.

Then he is playing his tambourine.

And my brain is thinking about three years ago in Winneba, Ghana when I stumbled across something that looked vaguely familiar: a parade in the middle of a village with a line of people marching down the middle of the street with horns and drums and dancing and singing and bright colors.  Handkerchiefs were twirled in my face.  I was so hot but so enthralled in the procession that I didn't care about the sweat dripping from my face.

And then I’m back in New Orleans, thinking about the taste of that po’boy and wondering if the shop we used to go to survived the storm and if it didn’t if they’ve reopened somewhere else.  And thinking about how delicious those crawfish Zapp’s potato chips are and the time I saved all my money to buy myself a kitten watch (with a ball of yarn as the seconds hand) from a flimsy booth in the French Market.  And how good those beignets tasted.

And what it felt like to see a real, live voodoo ceremony in Benin.  

And to hear a goat be sacrificed.  

And to run into Quint Davis, the freakin’ godfather of the Jazz Fest, in a random village in Benin because he was trying to find artists to bring from West Africa to New Orleans for the Jazz Fest.  To bring the music full circle.

And I’m thinking about Katrina and how angry it made me.  And how obvious it is to me that no matter what you try and tell me, if you're poor in this country, you've probably been fucked over by somebody.  And I'm gonna go out on a limb here and blame a system (although I won't narrow it down to just one).

And then I'm thinking about how much I wouldn’t get this shit if I’d never moved to Baltimore.  And never taken that first job in the Baltimore City Schools.  And never felt all the things I’ve felt.  And been in the places I've been.  And felt, first-hand, what my skin color affords me. 

And here is how I know David Simon is brilliant.  Because all of this happened to me on a Saturday night on my couch.  In yoga pants.  And I only watched like three episodes.

This is also how I know I’m Presbyterian.  I’ve found myself in this life of mine, where all these things make sense to me.  And I find it strangely normal.  Like it's the path I was always intended to be on.  With all these experiences connecting and merging and overlapping.

And I do believe in magic.  And I think sometimes we're given special knowledge from our ancestors that lets us in on some pretty big secrets about the universe.  When I was a kid, my dad would tell me I was part gypsy.  He told me all kinds of wacky things, but this was my favorite.  Well, no, the Easter Monkey was (is) my favorite.  But I've always liked to think about my totally-made-up fantasy gene pool (as if you couldn't tell from my sunburn that I'm totally Scotch-Irish-German-English and like 1/32 Cherokee).

Once upon a time, there was some rumor that up that magical family tree of ours was a Spanish bear trainer in the circus.  Naturally, I've embellished and blown up this story in my extra-fancy tree and Great-Great-Great Granddaddy who tamed the bears and wooed the ladies is this central figure in my family's history.  I'm assuming this is probably the way people feel when they are related to someone famous like a Kennedy or Abraham Lincoln.  In this fantasy family tree I can't help but feel like I've got connections to these places that I love so much.  And this gypsy grandfather of mine probably traveled around a lot.  And maybe procreated in New Orleans.  And I probably have cousins there. 

And maybe in West Africa, too.  Because it only makes sense.

And of course, I like to think I make him proud.